by Tony Hyman, Ed.D.

 

Cigar History Museum

The history of cigars, cigar boxes, cigar labels,  cigar making, cigar cutters, cigar premiums, cigar tools, cigar promotions,

and everything else cigar in the U.S., Canada and Cuba.



Newest Exhibit: August 18, 2010:  <Cigar boxes designed to be kept when empty>








FEATURE

EXHIBITS



FELTS-FLANNELS

Give-away phenom





HAND TOOLS I

Identification guide

HAND TOOLS II

Expanded with details



FRAUDS, FAKES

& FANTASIES

And other things that are not cigar



3,700 CUBAN CIGAR BRANDS

Most complete list

ever published




NEW

WOMEN SMOKERS

Part I: 1725 - 1875





NEWLY EXPANDED

HEALTHY CIGARS

Good for you?




AND

195

MORE EXHIBITS


What’s New?

LAST NEW EXHIBIT 08-18-10

SEE WHAT’S BEEN ADDED

NEW_EXHIBITS




Site Outline

Overview of what’s here



Cigar History

Tales previously untold



Cigar Advertising

Scheduled 2011



Making Cigars

By hand & machine



Selling Cigars

The fun and frolic



Types_of_Cigar_Boxes

A good place to start



Types of Wooden Boxes

Endless possibilities



Types of Tin Boxes

Since the 1870’s



Other types of Boxes

Cardboard, plastic, etc.



Novelty Boxes

Since the 1870’s



Dating Cigar Boxes

It’s easy



Cigar Label Themes

Labels, labels, labels



Premiums

Girlie pix to automobiles



Cuba

A sad wonderful story



Canada

Bigger than you think


NEW

Cigarettes

An overview, plus...



Cigar Definitions

What they really mean



Accessories

Cutters, lighters, more



Bibliography

Of books & magazines



The_Museum

Tony, visiting, selling to


SPECIAL EXHIBITS



Here’s how I did it



Frauds-Fakes-Fantasies

Other things not boxes



Links to Other Places;

Links to other sites



“The Perfect Package”

What is it ?



Women and Cigars I

Early years 1725 - 1875



Children and Cigars

Junior cigar fiends



Chuck Tuthill Collection

Bequeathed to me



Made from Boxes

Such clever people


cigarette playing cards

Sample of what’s available


tobacco playing cards

Sample of what’s available



 

        Researching the cigar industry is like building a giant jigsaw puzzle after the pieces have been scattered through a leafy Fall forest. The search is for tidbits without knowing the final picture. 

In 58 years, I’ve discovered it to be an amazing story with some genuine surprises.  I learned


        [1]  the domestic cigar industry is almost 250 years old, and is much larger than previously recorded, involving a quarter million cigar factories, hundreds of label printers, a thousand box factories, hundreds of thousands of salesmen and millions of wholesalers and retailers


        and


        [2] that cigars had more to do with the development of modern advertising and packaging than any other industry, creating more than 2,000,000 brands of cigar in the process.


        Hyman’s National Cigar Museum is designed to tell the stories behind all those folks and all those brands, the processes and procedures, the battles and strategies, the schemes, the triumphs and failures. The story is huge. 


        When it came to using the package to attract the customer’s eye, the cigar industry did it earlier and more adventurously than anyone. In the 1800’s, the folks who made and sold cigars tried every advertising image, gimmick and theme used today.


    As pioneers, they tried a lot of bad ideas  as well. There were no precedents, polls or web-sites to advise against using dead moose, skunks, goats, drunks, spiders, wasps, rattle snakes, funerals and Satan to sell cigars. Sellers had to learn to focus instead on pretty girls, dogs, cute kids, sports, celebrities, good health, good times, wealth and more pretty girls instead. Experimentation was constant.


        Unlike today when a few large companies decide brands and brand names,  cigar companies, salesmen, wholesalers, retailers and even customers got into the act. Everyone created brand names. Advertising anarchy.


Few people recognize the cigar industry’s importance because it has never had a champion. The industry was fragmented into millions of small  difficult-to-find pieces, yet is a fascinating tale filled with clever entrepreneurs, advertising pioneers, package innovation, union precedents, government regulations, bribery, counterfeiting and tax evasion.


         It’s the greatest story ever NOT told.


The National Cigar Museum is my way of sharing the tale and the artifacts I’ve found. As long as I’m alive, the Museum will be a work in progress.  I was 68 the day the first Gallery was created and the first Exhibit was posted on the Web. I plan to ultimately post 400 Exhibits. Since I learn something new every week there will always be more to tell. Whim, convenience, and reader requests will help determine which topic comes next. 


What you’ll see and read in the Museum is personal and idiosyncratic.  I am an information junkie and compulsive teacher.

I take full responsibility for errors of fact, omission or interpreta-tion. If you think I’m wrong, misguided or ill informed, you might be right. Feel free to let me know. 


        I’m always glad to find another piece of the puzzle.


Tony Hyman

Central California coast

2009

Thank you:

  1. 1.Mom & dad for aiding and abetting my youthful interest in boxes;

  2. 2.Savers, pickers & dealers who sold these things to me;

  3. 3.Families who entrusted me with stories and memories;

  4. 4.Execs & workers in box and cigar factories who explained processes;

  5. 5.Clerks & librarians who dug through files;

  6. 6.Collectors who share[d] especially Howard Richards, Tom Somerville and Chuck Tuthill;

  7. 7.Jerry Golden who taught me how the cigar industry really worked;

  8. 8.David Diaz, EdD, who showed me how easy iweb was to use, and continues to be a friend, helper, and fellow appreciator of good beer; 

  9. 9.Lew Rothman of JR Cigars who understands how important this story is and put his money where his heart is;               

                                        and especially

My wife, friend, companion, and fellow adventurer Marilee who has

     always encouraged and supported my research and buying.

Photo: Dr. David Diaz

Museums have five functions: collect, conserve, interpret, catalog and exhibit.  In 1952, I began to build a Museum to tell the story behind the

History of Cigar Making, Selling & Packaging.

This is the result.”


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To give opinions, ask questions, suggest exhibits, make additions or corrections, sell things, buy things or whatever...

tony@cigarhistory.infomailto:tony@cigarhistory.infoshapeimage_41_link_0

Dr. Hyman has been a photographer for more than 50 years. To see a collection of photographs from around the world, and notes on adventures he and his wife Marilee have had, go to <www.TonyHyman.info>.

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